马丁-麦克唐纳的电影《伊尼舍林的女妖》获得了九项奥斯卡提名，包括最佳影片。它讲述了两个疏远的姐妹回到她们在爱尔兰西部的家的故事。评论家们指出，麦克多纳对爱尔兰的描写既美丽又独特，但也是无可救药的陈词滥调，与实际的国家和生活在其中的人们有着不稳定的关系。
麦克多纳不是爱尔兰人，但他的父母来自爱尔兰西部，他小时候在那里度过夏天。他早期的剧本以爱尔兰西部农村为背景，对爱尔兰文学传统的借鉴远比对当代国家本身的复杂性要深。它们的特点是具有强烈的、有时是抒情的希伯来语英语。这些戏剧是 "爱尔兰作家 "的作品，但这种爱尔兰性是由距离感和亲密感形成的，它们仿佛是对一个有点抽象的地方概念的反应，是由移民的崇敬和浪漫主义告知的。
批评者认为，麦克唐纳对爱尔兰的描绘并没有完全准确地表现出这个国家和它的人民。许多人指出，它在很大程度上依赖于对爱尔兰和爱尔兰人的刻板印象和陈词滥调，如缥缈的诗意、农村的落后和惊人的酒量。他们还认为，该片将爱尔兰塑造成一个不成熟的农民文化，从而强化了殖民主义霸权。
这部电影被比作詹姆斯-乔伊斯的《尤利西斯》和弗兰-奥布莱恩的《贫嘴》，这两部作品都对爱尔兰农村贫困的浪漫化进行了批评。批评者认为，麦克唐纳的电影还通过将爱尔兰塑造成一个不成熟的农民文化来加强殖民主义霸权。
尽管有这些批评，这部电影因其美丽的风景、出色的演技和强有力的表演而受到赞扬。人们还注意到，麦克唐纳的写作犀利而诙谐，影片在情感和智力上都很吸引人。
看点：
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马丁-麦克唐纳的电影《伊尼舍林的女妖》获得了九项奥斯卡提名，包括最佳影片。
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评论家们指出，麦克唐纳对爱尔兰的描写既美丽又独特，但也是无可救药的陈词滥调，与实际的国家和生活在其中的人们有着不稳定的关系。
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麦克多纳不是爱尔兰人，但他早期的戏剧是以爱尔兰西部农村为背景的，对爱尔兰文学传统的借鉴远比对当代国家本身的复杂性要深。
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批评者认为，麦克多纳对爱尔兰的描绘并没有完全准确地表现出这个国家及其人民，它在很大程度上依赖于对爱尔兰和爱尔兰人的刻板印象和陈词滥调。
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尽管有这些批评，这部电影因其美丽的风景、出色的演技和强有力的表演而受到赞扬。
Martin McDonagh’s film ‘The Banshees of Inisherin’ has been nominated for nine Oscars, including Best Picture. It tells the story of two estranged sisters who return to their family home in the west of Ireland. Critics have noted that McDonagh’s portrayal of Ireland is both beautiful and unique, but also irredeemably cliché, and has an uneasy relationship with the actual country and the people who live in it.
McDonagh is not from Ireland, but his parents are from the west of Ireland and he spent summers there as a child. His early plays were set in the rural west of Ireland and drew far more deeply on the Irish literary tradition than on the complexities of the contemporary country itself. They are characterized by an intense, at times luridly lyrical Hiberno-English. The plays are the work of an “Irish writer”, but it’s an Irishness formed as much by distance as intimacy, it is as though they’re reacting against a somewhat abstract idea of the place, informed by an emigrant’s reverence and romanticism.
Critics argue that McDonagh’s portrayal of Ireland is not an entirely accurate representation of the country and its people. Many have pointed out that it relies heavily on stereotypes and clichés of Ireland and the Irish, such as misty poeticism, rural backwardness, and prodigious boozing. They also argue that it reinforces the colonial hegemony by staging Ireland as an unsophisticated peasant culture.
The film is being compared to James Joyce’s Ulysses and Flann O’Brien’s The Poor Mouth, both of which are critical of the romanticization of rural poverty in Ireland. Critics argue that McDonagh’s film also reinforces the colonial hegemony by staging Ireland as an unsophisticated peasant culture.
Despite the criticisms, the film has been praised for its beautiful landscapes, excellent acting, and powerful performances. It has also been noted that McDonagh’s writing is sharp and witty, and that the film is both emotionally and intellectually engaging.
Key takeaways:
- Martin McDonagh’s film ‘The Banshees of Inisherin’ has been nominated for nine Oscars, including Best Picture.
- Critics have noted that McDonagh’s portrayal of Ireland is both beautiful and unique, but also irredeemably cliché, and has an uneasy relationship with the actual country and the people who live in it.
- McDonagh is not from Ireland, but his early plays were set in the rural west of Ireland and drew far more deeply on the Irish literary tradition than on the complexities of the contemporary country itself.
- Critics argue that McDonagh’s portrayal of Ireland is not an entirely accurate representation of the country and its people and that it relies heavily on stereotypes and clichés of Ireland and the Irish.
- Despite the criticisms, the film has been praised for its beautiful landscapes, excellent acting, and powerful performances.
链接：The Banshees of Inisherin: Does Martin McDonagh actually understand Ireland?