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《塔尔》是一部由托德-菲尔德执导的新片，讲述了一位名叫莉迪亚-塔尔的指挥家和作曲家在她的职业中处于顶峰，她在世界伟大的交响乐团中不断晋升，并获得了哈佛大学的博士学位和EGOT地位。
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影片的重点不是莉迪亚的崛起，而是她的堕落。
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影片的拍摄风格让人联想到罗曼-波兰斯基和斯坦利-库布里克，营造出一种恐惧和偏执的气氛，因为莉迪亚收到了匿名礼物，她的家中出现了奇怪的声音，并在个人和职业生活中面临麻烦。
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莉迪亚的行为，包括她对伴侣的背叛和与孩子的恶霸的对抗，既惊险又恐怖，让人不清楚她是怪物还是受害者。
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这部电影的背景是一个罕见的文化空间，在那里人们期待着审美的完美，但也深入到了风骚和有争议的区域。
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“Tár” is a new film directed by Todd Field about a conductor and composer named Lydia Tár who is at the top of her profession, having risen through the ranks of the world’s great orchestras and earned a Harvard Ph.D. and EGOT status.
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The film does not focus on Lydia’s rise to the top, but rather on her downfall.
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The film is shot in a style reminiscent of Roman Polanski and Stanley Kubrick and creates a mood of dread and paranoia as Lydia receives anonymous gifts, experiences strange noises in her home, and faces trouble in her personal and professional life.
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Lydia’s actions, including her betrayal of her partner and her confrontation with her child’s bully, are both thrilling and terrifying, making it unclear whether she is a monster or a victim.
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The film is set in a rarefied cultural space where aesthetic perfection is expected, but also delves into tawdry and contentious zones.
链接：‘Tár’ Review: A Maestro Faces the Music - The New York Times